In January 1968, following the release of the Ōshima film Double Suicide: Japanese Summer the previous year, Nagisa Ōshima and Yukio Mishima, the two giants in their respective fields, had a frank, stimulating and (as anticipated) sometimes spicy conversation hosted by the film magazine The Art of Cinema. After Mishima's suicide, Ōshima wrote another article … Continue reading Fascist or Revolutionist: Nagisa Ōshima VS Yukio Mishima (Part I)